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Artist's Statement: Image
Central Question
How does Gen Z cope with the pandemic, especially through art?
Splice answers this through showcasing art created by Generation Z and interviews detailing people’s lives during quarantine.
Literature
Lucas Kuhl's Fame Fatale and Bella McFadden's iGirl heavily inspired this project.
Kuhl is a zinester whose main techniques are film photography, manual curation and interviews (Kuhl). Seeing that Kuhl was able to create such vivid imagery using simple techniques, cut and paste being one of them, was inspiring. It shows the relevance that the roots of zine culture still has, which influenced the cover of my zine, which is after that same style. Interviews with artists also let the audience further into the artists’ world, which is why I decided to have interviews in my zine.
McFadden is a fashion designer who recently launched a zine, which had hand-drawn art and photography (McFadden). Both zines align with the do-it-yourself ethics, which are a huge pillar of zine culture. McFadden’s question and answer style of interviewing and the inclusion of photos superimposed onto the interview pages inspired me to try out different versions of formatting for my project, such as alternating between the art and the interviews.
“Why the Internet Didn’t Kill Zines” by Jenna Wortham and “Creativity and Recovery: The Mental Health Benefits of Art Therapy” by Mary Ann Cohen
Wortham’s article tackles the survival of zines in the digital age, and how that can largely be accredited to their humanity and intimacy (Wortham). Zines give people the ability to have interaction, and create and control their own stories. Wortham’s piece made me want my project to be able to be an ongoing conversation about creating art in stressful times.
Art therapy can help increase self-esteem and also give people an “emotional release” (Cohen). Cohen’s article on art therapy gave me a deeper understanding and background of why some turn to art when under stress or extreme emotion. Learning that people are able to experience relief and catharsis helped me format my interview questions.
Artist's Statement: Text
Artist's Statement: Image
Methods
Looking through archived zines such as Duckberg Times (Snyder) and Final update (Sterling), punk ads, and modern online zines such as sincerely, scatterbrained (Cassiano) and first kiss (Avila), showed me how zines evolved over time. While both are still independently published media, online zines have a variety of aesthetics and reach more people.
The primary medium for Splice is a digital zine in the form of a PDF. Techniques that heavily inspired this project are the cut and paste method, do-it-yourself aesthetics, the layering of text, photos and other art.
The cut and paste method encompasses do-it-yourself ethics, and was popularized by Beat poet William S. Burroughs (Todd and Watson). Collaboration and contributions from others are also important, especially since in the 1990s many zinsters saw zines as the only true method of freedom of the press since they weren’t owned by media conglomerates.
Artist's Statement: Text
Artist's Statement: Image
Audience & Impact
The audience for this project is in the 17-24 age range and enjoy consuming various types of art—music, film, visual art. I want people to read Splice and enjoy the art and interviews, but also see how everyone dealt with the past year in different ways. This project can help people reflect on their personal feelings surrounding the pandemic but also serve as immortalizing a hectic and stressful time in our lives, using art as a medium.
This project has shown me that even in the most chaotic moments, people can still find joy in being able to create srt. I’ve grown in my research skills, such as navigating through databases and digital archives, in addition to learning about different mediums of art. There are many ways and reasons why people draw, paint, or write. Being able to learn why others create the art and how they do it is inspiring and informative.
References
Avila, Alyssa. first kiss, 2021.
Cassiano, Lauren. sincerely, scatterbrained. 2021
Cohen, Mary Ann. “Creativity and Recovery: The Mental Health Benefits of Art Therapy.” Rtor.org, 10 July 2018, www.rtor.org/2018/07/10/benefits-of-art-therapy/#:~:text=Art%20therapy%20can%20be%20used,been%20lurking%20in%20your%20subconscious.
Kuhl, Lucas. Fame Fatale, 2020.
McFadden, Bella. iGirl, 2021.
Smith, Anastasia. “Art Therapy Helps Students Cope with Stress.” The Bona Venture, 2 May 2019, www.thebvnewspaper.com/2019/05/02/art-therapy-helps-students-cope-with-stress/.
Snyder, John S., et al. Duckberg Times, 1 Apr. 1985.
Sterling, Marc. Final Update, 1985.
Todd, Mark, and Esther Pearl Watson. Whatcha Mean, What's a Zine?: the Art of Making Zines
and Mini Comics. Boston, 2006.
Wortham, Jenna. “Why the Internet Didn’t Kill Zines.” The New York Times Magazine, 2017, www.nytimes.com/2017/02/28/magazine/why-the-internet-didnt-kill-zines.html.
Acknowledgements
A big thank you to my faculty advisor Heather Bremenstuhl and contributors and everyone who’s given me feedback on this project!
Artist's Statement: Text
Artist's Statement: Welcome
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